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DTSTART;TZID=America/Detroit:20220202T200000
DTEND;TZID=America/Detroit:20220202T200000
DTSTAMP:20211111T212615Z
CREATED:20211111T212615Z
LAST-MODIFIED:20211111T212615Z
UID:2979-1643832000-1643832000@theark.qltddev.com
SUMMARY:James McMurtry
DESCRIPTION:This show has been rescheduled for June 14\, 2022. Tickets will be reissued automatically for the rescheduled date. Refunds will be available by request only no later than 30 days after the announcement of the new date. \nPlease Note: Proof of Vaccination is required for admission. By purchasing a ticket you agree that you and your guests will comply with all laws\, orders\, ordinances\, regulations and health and safety guidance adopted by the State of Michigan\, the County of Washtenaw and The Ark\, including any guidelines in place at the time of the show. Attendees who do not comply will be asked to leave. Policies will be updated as circumstances and requirements change in our community. Please review The Ark’s current COVID-related information before attending a show. \nCOVID-19 FAQ \nIn James McMurtry’s new effort\, The Horses and the Hounds\, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”). This first collection in seven years\, due August 20 on New West Records\, spotlights a seasoned tunesmith in peak form as he turns toward reflection (“Vaquero”) and revelation (closer “Blackberry Winter”). Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record\,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.” \nThe Horses and the Hounds is a reunion of sorts. McMurtry recorded the new album with legendary producer Ross Hogarth (Ozzy Osbourne\, John Fogerty\, Van Halen\, Keb’ Mo’) at Jackson Browne’s Groovemaster’s in Santa Monica\, California\, a world class studio that has housed such legends as Bob Dylan (2012’s Tempest) and David Crosby (2016’s Lighthouse) as well as Browne himself for I’m Alive (1993) and New Found Glory\, Coming Home (2006). McMurtry and Hogarth first worked together 30 years ago\, when Hogarth was a recording engineer in the employ of John Mellencamp at Mellencamp’s own Belmont Studios near Bloomington\, Indiana. Hogarth recorded McMurtry’s first two albums\, Too Long in the Wasteland and Candyland\, for Columbia Records and later mixed McMurtry’s first self-produced album\, Saint Mary of the Woods\, for Sugar Hill Records. Another veteran of those three releases\, guitarist David Grissom (Joe Ely\, John Mellencamp\, Dixie Chicks)\, returns with some of his finest work. \nAccordingly\, the new collection marks another upward trajectory: The Horses and the Hounds will be McMurtry’s debut album on genre-defining Americana record label New West Records (Steve Earle\, Rodney Crowell\, Lucinda Williams\, John Hiatt\, Aaron Lee Tasjan\, Buddy Miller\, dozens more). \n“I first became aware of James McMurtry’s formidable songwriting prowess while working at Bug Music Publishing in the ’90s\,” says New West president John Allen. “He’s a true talent. All of us at New West are excited at the prospect of championing the next phase of James’ already successful and respected career.” McMurtry perfectly fits a label housing “artists who perform real music for real people.” After all\, No Depression says of the literate songwriter’s most recent collection\, Complicated Game: “Lyrically\, the album is wise and adventurous\, with McMurtry — who’s not prone to autobiographical tales — credibly inhabiting characters from all walks of life.” “[McMurtry] fuses wry\, literate observations about the world with the snarl of barroom rock\,” National Public Radio says. “The result is at times sardonic\, subversive and funny\, but often vulnerable and always poignant.” \nHis lauded storytelling — check out songs such as “Operation Never Mind” and “Ft. Walton Wake-Up Call” on The Horse and the Hounds— consistently has turned heads for decades now. “James writes like he’s lived a lifetime\,” said John Mellencamp back in 1989\, when Too Long in the Wasteland hit the Billboard 200. “James McMurtry is one of my very few favorite songwriters on Earth and these days he’s working at the top of his game\,” says Americana all-star Jason Isbell. “He has that rare gift of being able to make a listener laugh out loud at one line and choke up at the next. I don’t think anybody writes better lyrics.” McMurtry’s albums Just Us Kids (2008) and Childish Things (2005) back the claim\, each scoring endless critical praise. The former earned McMurtry his highest Billboard 200 chart position in two decades (since eclipsed by Complicated Game) and notched Americana Music Award nominations. Childish Things spent six full weeks topping the Americana Music Radio chart in 2005 and 2006\, and won the Americana Music Association’s Album of the Year\, with “We Can’t Make It Here” named the organization’s Song of the Year. \nOther accolades include a 1996 Grammy nomination for Long Form Music Video for Where’d You Hide the Body and an American Indie Award for Best Americana Album for It Had to Happen (1997). \nMcMurtry tours year-round and consistently throws down unparalleled powerhouse performances\, reflected in the release of two live discs: the universally lauded Live in Aught-Three on Compadre Records\, and 2009’s Live in Europe\, which captured the McMurtry band’s first European tour and extraordinary live set. Along with seasoned band members Ronnie Johnson\, Daren Hess\, and Tim Holt\, Live in Europe features special guests Ian McLagan (Faces) and Jon Dee Graham (True Believers\, Skunks). (Video of the performance is available on the included DVD.) \nPhoto credit: Mary Keating Bruton
URL:https://theark.qltddev.com/event/james-mcmurtry220202/
LOCATION:The Ark\, 316 S. Main\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220207T200000
DTEND;TZID=America/Detroit:20220207T200000
DTSTAMP:20211026T135924Z
CREATED:20211026T135924Z
LAST-MODIFIED:20211026T135924Z
UID:1237-1644264000-1644264000@theark.qltddev.com
SUMMARY:Ocie Elliott
DESCRIPTION:This show has been cancelled. Purchases made will be automatically refunded by MUTO. Contact MUTO at muto-tix@umich.edu with questions. \nFrom the band: “We are disappointed to announce that we will be canceling all of the dates for our February tour due to the ongoing situation with Covid. However\, the good news is that we will be back with a bigger and better tour later this year! All ticket purchases will be refunded by the ticket provider. Keep healthy and well and we’ll provide an update with new tour dates as soon as we can.” \nOcie Elliott is musical duo Jon Middleton and Sierra Lundy from Victoria\, B.C.\, Canada. The two have come a long way in a short time since a chance encounter in a Salt Spring Island café led to a spark\, collaboration\, and their ultimate partnership in music and beyond. That was hardly two years ago\, and Ocie has been busy\, releasing both an EP and their debut full-length album We Fall In (Nettwerk Music Group)\, playing with the likes of Mason Jennings\, Sons of the East\, Kim Churchill\, Roo Panes\, Current Swell and Joseph\, touring Canada\, US\, and Europe and having their song “Run To You” featured on an episode of Grey’s Anatomy. \nIn the challenging internet age of streaming music\, Sierra and Jon have cultivated a fast-growing following by releasing a captivating series of live acoustic videos on Facebook recorded in the cozy confines of the couple’s Honda CR-V (which\, Sierra explains\, offers “organically well-rounded and self-contained” acoustics which lend an intimacy to their intricate harmonies). The novel approach has paid off\, with a million streams of their most popular tracks on Spotify and Apple Music\, as well as sold-out shows. \nWith gentle acoustic chords layered over gorgeously complementary voices\, which intertwine in gentle harmonies\, Sierra and Jon’s beautifully written songs explore\, of all things\, love and connection. The duo has been aptly described by one reviewer as “…the aural equivalent of indigo painted skies and the first summer stars.”
URL:https://theark.qltddev.com/event/ocie-elliott-220207/
LOCATION:The Ark\, 316 S. Main\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220209T200000
DTEND;TZID=America/Detroit:20220209T200000
DTSTAMP:20220208T183507Z
CREATED:20220208T183507Z
LAST-MODIFIED:20220208T183507Z
UID:4151-1644436800-1644436800@theark.qltddev.com
SUMMARY:The Ark's Open Stage
DESCRIPTION:Please Note: Proof of Vaccination is required for admission. By purchasing a ticket you agree that you and your guests will comply with all laws\, orders\, ordinances\, regulations and health and safety guidance adopted by the State of Michigan\, the County of Washtenaw and The Ark\, including any guidelines in place at the time of the show. Attendees who do not comply will be asked to leave. Policies will be updated as circumstances and requirements change in our community. Please review The Ark’s current COVID-related information before attending a show. \nCOVID-19 FAQ \nWhether you’re looking for your big break\, want to perfect your live performance skills\, or just want to perform live for the sheer fun of it\, Open Stage nights offer supportive audiences and a terrific space. Fifteen performers have eight minutes (or two songs) each to do their thing. Sign-up: doors open at 7:30 p.m. At 7:45 we randomly select the names for the first half\, and at 8:30 we draw names for the second half. If your name isn’t chosen\, bring your raffle ticket with you to the next Open Stage (often the first and third Wednesdays of the month–check our calendar or website\, theark.org)\, and you’ll double your chances.
URL:https://theark.qltddev.com/event/the-arks-open-stage-220209/
LOCATION:The Ark\, 316 S. Main\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220211T193000
DTEND;TZID=America/Detroit:20220211T193000
DTSTAMP:20211116T120019Z
CREATED:20211116T120019Z
LAST-MODIFIED:20211116T120019Z
UID:3195-1644607800-1644607800@theark.qltddev.com
SUMMARY:Lucinda Williams and Her Band
DESCRIPTION:Update 1/24/22 – This event has been rescheduled for Friday\, April 8\, 2022. \nFor Acoustic Routes and The Ark\, the most important thing to us is the health of fans\, artists and their crews\, so after conversations with her management\, we’ve made the decision to postpone Lucinda Williams’ upcoming show at The Michigan Theater until the Spring when COVID is hopefully more under control. We expect to announce a new date soon. We’ll open a window for refunds when we have the new date if you can’t make the show.  But we hope you’ll stick with us. It’s going to be a great night of music.  And remember\, all profits from this show go to feed the hungry in our community. \n  \n  \nPlease Note: The Michigan Theater and State Theatre require proof of full COVID-19 vaccination OR results of a negative COVID-19 test taken within 72 hours for all attendees over the age of 12. Temperatures will be taken for attendees under 12.\nMasks are required for all attendees. \nCLICK HERE to learn more about the Michigan Theater COVID Safety Plan \nLucinda Williams\, heralded by The New York Times as an “archetype in a lineage of rocking\, literary American songwriters\,” will headline a benefit concert at The Michigan Theater in Ann Arbor on Feb. 11\, 2022 to mark the 40th anniversary of The Breakfast at St. Andrew’s daily meal program. Tickets go on sale through Ticketmaster.com on November 20 at 12:01 a.m. EDT. \nThe performance by Lucinda Williams and Her Band will mark the 12th time Acoustic Routes and The Ark\, one of the nation’s most celebrated live music venues\, have raised money for the Breakfast Program. Founded during the summer of 1982 by parishioners of St. Andrew’s Episcopal Church\, the Ann Arbor-based non-profit has served a free meal to anyone without missing a single day\, even during the COVID-19 pandemic. \n“The Breakfast started as way to help people get through a deep recession 40 years ago\, but the need never went away\,” said Jim Cain\, founder of Acoustic Routes Concerts. “I can’t thank Lucinda Williams enough for sharing her talent and supporting the work of the Breakfast Program.” \nOver the course of fourteen remarkable albums\, three Grammy awards\, and countless accolades\, including Time’s Songwriter of the Year of 2001\, Williams is one of our most revered artists\, beloved for her singular vocals and extraordinary songs. \nHer latest release\, “Good Souls\, Better Angels\,” has electrified critics and fans. American Songwriter wrote\, “Take a deep breath\, strap in then push play on what is undoubtedly one of the most searing\, potent and passionate albums you’ll hear this year.”
URL:https://theark.qltddev.com/event/lucinda-williams-and-her-band-220211/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
ATTACH;FMTTYPE=image/jpeg:https://theark.qltddev.com/wp-content/uploads/2021/11/LW-at-MI-Theater-ADMAT.jpg
ORGANIZER;CN="Acoustic Routes":MAILTO:acousticsaline@gmail.com
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BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20220227T193000
DTEND;TZID=America/Detroit:20220227T193000
DTSTAMP:20211216T160726Z
CREATED:20211216T160726Z
LAST-MODIFIED:20211216T160726Z
UID:3448-1645990200-1645990200@theark.qltddev.com
SUMMARY:Black Jake & the Carnies
DESCRIPTION:This show has been cancelled. Purchases made will be automatically refunded by MUTO. Contact MUTO at muto-tix@umich.edu with questions. \nCOVID-19 FAQ \nThink of a carnival\, or indeed a carny\, and it’s very likely that images of bearded ladies\, mustachioed strongmen\, trapeze artists\, wolf boys\, monkey mermaids and the like will come flooding into your mind. Add a healthy dash of punk rock and oldie timey music\, and you have Black Jake & the Carnies. \nThese men create sounds that make Tod Browning’s Freaks look positively conventional. The glorious dichotomy is that the tunes are catchy enough to be disconcertingly accessible. You are\, indeed\, one of us. \n“The idea for Black Jake and the Carnies came to Jake in 1999\, when he had an ecstatic vision of a band playing fast-paced music on traditional instruments\, full of entertaining gimmicks\, props\, and crowd interaction\,” says the band. “The original incarnation of the band started in 2002\, and played one disastrous Halloween Show at Trinity House Theater before breaking up.  Jake kept the vision alive and kept writing songs over the next four years until one day in 2006 he decided to get a band back together.  A few guys who knew some guys down the street eventually turned into a new Black Jake & the Carnies overnight.” \nThe band\, comprised of Black Jake (banjo\, vocals\, kick drum\, tambourine\, songwriting)\, Kyle Kipp (guitar\, backing vocals)\, Wally Jarvis (hand percussion\, accordion\, harmonica\, backing vocals)\, Ozzie Andrews (bass)\, and Gary Ritter (Fiddle\, Mandolin\, backing vocals)\, are five hard-working men from Southeast Michigan who wallow in the imagery of sideshows and carnivals. “When you grow up in a small town\, you have hair down your back and everyone’s a redneck\, you get called a freak a lot\,” Jake told Detroit’s Metro Times in 2011. “So I get attracted to the outcasts\, the freaks\, being somebody who’s on display.” \nHe’s not wrong. When Black Jake & the Carnies played a prison show in Belgium as part of the Belgium/Netherlands/Germany tour in 2011\, the touring company said that they were the only band they’d ever seen who got the prisoners to jump up out of their seats and dance. And everybody knows how hard convicts are to please. \nPhoto Credit: Philamonjaro
URL:https://theark.qltddev.com/event/black-jake-the-carnies-220227/
LOCATION:The Ark\, 316 S. Main\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
ATTACH;FMTTYPE=image/jpeg:https://theark.qltddev.com/wp-content/uploads/2021/12/blackjakeandthecarnies-credit-philamonjaro.jpg
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