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DTSTART;TZID=America/New_York:20241023T193000
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SUMMARY:David Cross
DESCRIPTION:Emmy Award winner and two-time Grammy Award nominee\, David Cross is an inventive performer\, writer\, and producer on stage and screen. David’s eighth stand-up special\, David Cross: Worst Daddy In The World\, is available on the 800 Pound Gorilla Media YouTube channel\, and he will join the cast of the Netflix series\, The Umbrella Academy\, for their fourth and final season premiering August 8. \nDavid hosts the new podcast\, Senses Working Overtime With David Cross\, which premiered on December 7\, 2023 with new episodes released on Thursdays available on all audio platforms and video available on David’s YouTube page. \nIn 2023\, David was seen in the Julia Louis-Dreyfus film\, You Hurt My Feelings\, and the FX series\, Justified: City Primeval.  In 2021\, Cross starred in the National Geographic series\, Genius: Aretha\, portraying famed music producer\, Jerry Wexler opposite Cynthia Erivo as Aretha Franklin; he made guest appearances in the\, critically-acclaimed HBO Max miniseries\, Station Eleven; and starred in the HBO Max film\, 8-Bit Christmas. \nOn February 12\, 2022\, David premiered his comedy special\, David Cross: I’m From The Future\, as a livestream event available internationally on his website.  David’s 2019 comedy special\, David Cross: Oh Come On\, is available on Amazon Prime and Peacock. \nDavid was nominated for two Grammy Awards for the albums\, …America…Great\, and Shut Up You F***ing Baby\, and his comedy special\, David Cross: The Pride is Back\, was named one of the 25 best stand-up comedy specials and concert films of all time by Rolling Stone in July 2015. \nOther groundbreaking TV credits include Arrested Development\, Goliath\, The Increasingly Poor Decisions of Todd Margaret\, Mr. Show with Bob and David\, Freak Show\, and The Ben Stiller Show. In 2020\, David received rave reviews for his starring role in the dramatic film\, The Dark Divide\, and in 2018\, he was part of the ensemble cast with Tom Hanks and Meryl Streep in Steven Spielberg’s The Post.  David released the indie film Hits\, which he wrote and directed\, and he has appeared in numerous films including Kill Your Darlings\, It’s a Disaster\, Abel\, Year One\, Waiting for Guffman\, Men in Black and Men in Black II\, Ghost World\, Eternal Sunshine of the Spotless Mind\, Pitch Perfect 2\, I’m Not There\, and he provided his vocal talents for several animated films\, including Megamind\, the Kung Fu Panda franchise and Curious George.
URL:https://theark.qltddev.com/event/david-cross-241023/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20240913T193000
DTEND;TZID=America/New_York:20240913T230000
DTSTAMP:20260416T115559
CREATED:20240305T155436Z
LAST-MODIFIED:20240614T141108Z
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SUMMARY:Old Crow Medicine Show
DESCRIPTION:Acoustic Routes Concerts and The Ark are once again fighting hunger with music. \nTogether\, they are bringing Grand Ole Opry members and Grammy winners Old Crow Medicine Show to The Michigan Theater in Ann Arbor on Friday\, September 13 at 7:30 p.m. to support The Breakfast at St. Andrew’s daily meal program. \nOld Crow Medicine Show’s concerts are legendary thanks to the band’s virtuosity and breakneck tempos\, their strong original songwriting and deep respect for traditional American music. Their rise began in 2000 after a chance meeting with the flatpicking guitar and mountain music legend Doc Watson\, when the band was busking on a street corner in Boone\, North Carolina. Over the years\, their string band revival sound has found a growing legion of fans hungry for roots music and it has captured the hearts of acclaimed artists like John Prine\, Gillian Welch and Marty Stuart who helped propel their music. \nNo Depression.com says the the band is now virtually a tradition in itself and their latest Grammy-nominated album\, Jubilee\, is “a celebration of their own past and ongoing relevance\, and of old-timey music as a hoedown that never ends but might pick up a fair number of new steps along the way.” \nThe concert is the 14th that Acoustic Routes and The Ark have done together to raise money for The Breakfast at St. Andrew’s\, which feeds the homeless\, the working poor and other people struggling to make ends meet. They have never missed a day of service since opening their doors in 1982\, even during the COVID-19 pandemic.
URL:https://theark.qltddev.com/event/old-crow-medicine-show-091324/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20240701T193000
DTEND;TZID=America/New_York:20240701T230000
DTSTAMP:20260416T115559
CREATED:20240312T141258Z
LAST-MODIFIED:20240625T173348Z
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SUMMARY:Amos Lee
DESCRIPTION:“There’s a lot of existential stuff in these songs\,” says Amos Lee. “If you really listen to what’s in between the lines\, there’s a lot of grappling with your place in the world\, grappling with loss.  There’s a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying\, as we all are right now\, to make sense of a world that feels like it’s changing really quickly.”   \nOn his eleventh studio album\, Transmissions\, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death\, aging\, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow\, Rivers of Song\, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners\, from Paul Simon to Zac Brown Band.  \nFor the new project\, he craved a return to an old-school style of recording\, working with his longtime band in a studio in rural Marlboro\, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be\,” notes Lee). Playing live on the floor for long hours\, in close quarters\, they were able to capture the album’s twelve songs in less than a week.  \n“I really wanted us to be all in the room\, making music together\, listening to each other and responding to each other\,” says Lee. “In this age where you can do everything at home and fly it in\, there’s something really beautiful about getting in a room and starting at the top\, the drummer counting in the song and everybody just playing. I would call it vulnerability.”  \nDespite the simplicity of the set-up\, though\, Lee also augmented the band’s soulful\, folk-funk sound with arrangements that extend the scope of some songs. “I’ve done a lot of shows over the past few years with orchestras\,” he says\, “and I wanted to find a way to have miniature moments that could represent those experiences. If you listen to the end of ‘Night Light\,’ or ‘Built to Fall\,’ there are moments that express those ideas of collaboration and orchestration.”  \nTransmissions marks only the second time that Lee has produced his own album (following 2016’s Spirit)\, a daunting challenge even for someone so familiar with the musicians. But he was determined not to overthink or over-complicate the task.  \n“As a producer\, I had to have a clean and clear vision of what I wanted before I went in\,” he says. “Especially now that I’ve done ten albums. I’m not lighting a bunch of candles and trying to conjure the spirit—it’s either there or it isn’t. And it was there from Day One. We were playing the song ‘Beautiful Day\,’ and I thought\, ‘Okay\, here’s a song I have a demo for\, but I don’t have a full version in mind. I’ve never played it with anyone\, I’ve never shown it to anybody\, and it’s a bit of a weird\, herky-jerky tune.’ And the bass and drums kicked ass\, the guitar playing is really cool—so yeah\, I felt it from note one. I was never in doubt.”  \nThe’ last few years have been wildly productive for Philadelphia native Lee. After 2022’s Dreamland album (which featured “Worry No More\,” a Top Ten AAA hit and his biggest single in over a decade)\, he followed up with two full-length projects paying homage to musical heroes—My Ideal: A Tribute to ‘Chet Baker Sings’ and Honeysuckle Switches: The Songs of Lucinda Williams. He expresses his awe for these two renegade artists; Williams for her incomparable language and Baker for his delivery. “I love songs that have the ability to expose a wide range of emotions in a short song\,” he says. “That’s what my favorite songs always do.”  \nThe Baker album in particular had a strong influence on Lee as a vocalist. “I didn’t grow up singing anything other than what was on the radio\,” he says\, “and when I started playing guitar\, it was John Prine and Dylan and Bill Withers and this classic songwriter stuff\, but also all this ‘90s R&B that I loved. I’d never approached what we’re calling jazz—the classics\, the songbook—and listening to Chet singing and singing along with him was like\, ‘Oh\, my God\, how is he doing this?’ It was like taking a master class in control and where to use your voice. That level of singing\, that level of musicianship\, was hugely inspirational—you don’t have to sing loud all the time. You can be really vulnerable\, and soft\, and really be at your best.”  \nTransmissions is Lee’s first release of original music on his own label\, Hoagiemouth Records. “It’s just a sign of the times\,” he says. “Things have really changed for someone like me\, and I’m going to adapt. I always wanted to have some kind of small label\, so it’s a cool opportunity.” (The imprint is distributed through the Thirty Tigers company\, which Lee is especially excited about since he and president David Macias are friends through fantasy baseball.)  \nFresh off of some dates with Willie Nelson and heading into a co-headlining tour with the Indigo Girls\, Amos Lee notes that his attitude about being embraced by his peers and his idols has transformed over the years\, and that his gratitude deeply informs the emotions throughout Transmissions.  \n“I just appreciate everything a lot more now\,” he says. “When you’re younger\, you get it\, but you don’t really get it because you’re like ‘Oh\, cool—my first tour ever and I’m opening for Bob Dylan? Cool.’ Or Norah Jones\, the biggest artist in the world\, bringing you out right off the street. How do you appreciate that? I was just sort of clueless\, honestly. Not out of malice\, but you have no context.  \n“So now I’m just grateful to have a career\,” he continues. “I’m grateful to be asked to share the stage with folks who I respect and admire and love and want to learn from and want to support. Now it’s about really being present while it’s happening and knowing that this is not promised\, none of this is destiny. It’s a lot of chance. So I’m making sure to really enjoy and appreciate all these opportunities.” 
URL:https://theark.qltddev.com/event/amos-lee-240701/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Low Ticket Alert,Special Event
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DTSTART;TZID=America/New_York:20231017T193000
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SUMMARY:Lucinda Williams: Don’t Tell Anybody The Secrets Tour
DESCRIPTION:Lucinda Williams’ music has gotten her through her darkest days. It’s been that way since growing up amid family chaos in the Deep South\, as she recounts in her candid new memoir\, Don’t Tell Anybody the Secrets I told You. Over the past two years\, it’s been the force driving her recovery from a debilitating stroke she suffered on November 17\, 2020\, at age 67. Her masterful\, multi-Grammy-winning songwriting has never deserted her. To wit\, her stunning\, sixteenth studio album\, Stories from a Rock n Roll Heart\, brims over with some of the best work of her career. And though Williams can no longer play her beloved guitar – a constant companion since age 12 – her distinctive vocals sound better than ever. \n“I’m singing my ass off\,” she told Vanity Fair in February\, following her first European tour since 2019. The love emanating from audiences and her musical family onstage and in the studio exemplify the healing power of music\, says Williams. In 2020\, she spent a week in intensive care\, followed by a month in rehab before returning home. The blood clot on the right side of her brain impaired the left side of her body’s motor skills\, forcing her to relearn some of the most basic of activities\, like walking. In July 2021\, she played her first gig\, opening for Jason Isbell at Red Rocks. She began seated in a wheelchair\, but soon she was upright. “Just the energy of the audiences being so welcoming and warm and the band playing so great and being so supportive gave me so much strength\,” Williams relates. “I figured\, ‘Hell\, all I have to do is stand up there and sing. How hard can that be?” \nSoon after touring with Isbell\, she returned to the studio. “Writing had been part of my rehabilitation\,” says Williams. “It didn’t occur to me to stop and not do anything.” During those long months working with physical therapists and regaining mobility and strength\, Williams turned to notebooks of partial lyrics and jotted down some new ideas. She also began collaborating on songs with her husband\, manager\, and co-producer Tom Overby. The pair’s successful collaborations on several tracks from Williams’ critically acclaimed previous effort\, Good Souls Better Angels (released in 2020 and nominated for two Grammy Awards) opened her up to cowriting – “it just expands things\,” Williams says. But post-stroke\, she had to revise her own songwriting process\, since she could no longer\nplay guitar. “My process has always been to come up with some lyrics\, then get the guitar and come up with a melody and some kind of structure\,” Williams relates. “Once I get that\, then I’d go back and edit the lyrics and add more. Pretty much like when you write and revise a story\, except the guitar is added to it. It was very rare that I’d ever write all the lyrics completely without the guitar.” \nAs they worked on new songs\, Williams and Overby enlisted New York singer-songwriter Jesse Malin\, whose 2019 album\, Sunset Kids\, they co-produced. Williams’ longtime road manager\, Travis Stephens\, a veteran guitarist in several Nashville bands\, also jumped in to help. “Like Jesse\, Travis is a singer and a songwriter\, so he threw his bit in and that led to the co-writing of some songs\,” says Williams. “I was comfortable writing with them. Jesse knows me pretty well now\, so he was able to anticipate certain things when we worked together – the same with Tom and Travis. I could contribute the melody and all.” \nRecording sessions began in November 2021 and – as Williams’ strength increased\, continued into 2022. She and Overby rejoined Ray Kennedy\, coproducer and engineer of her landmark Car Wheels on a Gravel Road (1998)\, with whom she reunited to cut Good Souls Better Angels. In addition to Williams’ longtime touring guitarist Stuart Mathis\, joining the mix were drummer Steve Ferrone (Tom Petty & the Heartbreakers)\, keyboardist Reese Wynans (the Stevie Ray Vaughan & Double Trouble vet who\nappeared on Essence)\, bassist Steve Mackey (Dolly Parton)\, and pedal steel/guitarist Doug Pettibone\, who played with Williams earlier in her career. “Since I couldn’t teach the band the songs on guitar\, I would sing it to give an idea of the feel and the vibe\,” says Williams. “We’d do it a few times until we got the right groove. It was really challenging because I wasn’t playing guitar. But sometimes when things are challenging like that\, good stuff can come out of it.” \nAnd it certainly did! The band rocks out on the album’s jubilant opening track “Let’s Get the Band Back Together\,” which features a gang of background singers\, including Margo Price and Buddy Miller. Inspired by “that need for community after all the isolation of the pandemic\,” Williams offers\, the song is “about getting old friends together again who’d drifted apart.” Price also joins her on the bluesy protest “This Is Not My Town.” The evocative “New York Comeback” also includes guest vocalists – Bruce Springsteen and Patti Scialfa. A Lucinda Williams fan\, Springsteen joined her onstage in London a few years back\, and he and Scialfa had wanted to contribute to a Williams album for some time. With Wynans on B3 and the Pettibone-Mathis guitar attack\, the musical setting perfectly matches the theme of “Comeback\,” as well as on the catchy story-song “Rock N’ Roll Heart\,” to which Springsteen and Scialfa also contributed vocals. Says Williams\, “Having Bruce and Patti on these songs feels really great. It’s just so cool!” \nAnother musical hero of Williams\, the late Tom Petty is the subject of the elegiac “Stolen Moments.” Williams\, who’d toured with Petty in 1999\, played his last Hollywood Bowl shows before his sudden death in October 2017. “Tom was a down to earth\, sweet\, loving person\, and I miss his music but I miss him more\,” she relates. “I wrote this song after he passed away. I was just heartbroken\, and I’m still reeling.” \nAnother fallen musician\, Bob Stinson\, founding lead guitarist of the Replacements\, inspired “Hum’s Liquor.” “Tom came up with that\,” says Williams\, of her husband\, a Minneapolis native who lived near the liquor store. Overby witnessed from his window Stinson’s daily morning visits\, which eventually cut the former Replacement’s life short. “It haunted me\,” Overby relates\, “and when I read Bob Mehr’s biography of the band and learned about his childhood abuse\, it explained a lot.” Tommy Stinson added vocals to the track\, which “was really emotional\,” says Williams. “We told him it’s a tribute to his brother\,” Overby adds\, and “Tommy loved the song.” (The album is dedicated to Bob Stinson\, “a true rock n roll heart.”) \nWilliams’ own rock n roll life is reflected in several of the album’s most moving ballads. The bittersweet “Last Call for the Truth” finds her asking for “one more taste of my lost youth\,” while on “Jukebox\,” her corner-bar Wurlitzer with “Patsy Cline and Muddy Waters” offers solace when she’s “going crazy with the sound of my own voice.” Angel Olsen contributes backing vocals on the latter\, and vocalist Siobhan Maher Kennedy appears on the former. The haunting “Where the Song Will Find Me” is beautifully orchestrated with layers of violin and cello\, played and arranged by Lawrence Rothman. And the ode\nto perseverance\, “Never Gonna Fade Away\,” is – like Williams’ live performances – further testimony to the redemptive power of music. \nThrough all the hardships Williams faced in 2020 – a destructive tornado damaging her new home in Nashville\, being sidelined by the pandemic\, and then the catastrophic stroke – her music kept her going and continues to bring her more laurels. The past year has seen Williams honored by BMI for her songwriting\, her induction into the Austin City Limits Hall of Fame\, and a Grammy Week tribute at the Troubadour\, with her songs performed by a diversity of Americana artists. She duetted with Willie Nelson on Billy Joe Shaver’s “Live Forever\,” which won a Grammy in February for Best Country Performance. On her birthday in January she performed at a sold-out show in Belfast\, Ireland. “I was so glad I was there when I turned 70\,” she relates. “The audience sang ‘Happy Birthday\,’ Travis brought a birthday cake out onstage\, and we took it on the bus and all had a piece of cake. Afterwards\, I was so inspired I started writing a song about Northern Ireland.” \nAs she promises on the powerful last track of Stories from a Rock n Roll Heart–one of the best albums of her career–Lucinda Williams is “never gonna fade away.”
URL:https://theark.qltddev.com/event/lucinda-williams-231017/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Special Event
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DTSTART;TZID=America/New_York:20220211T193000
DTEND;TZID=America/New_York:20220211T193000
DTSTAMP:20260416T115559
CREATED:20211116T120019Z
LAST-MODIFIED:20211116T120019Z
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SUMMARY:Lucinda Williams and Her Band
DESCRIPTION:Update 1/24/22 – This event has been rescheduled for Friday\, April 8\, 2022. \nFor Acoustic Routes and The Ark\, the most important thing to us is the health of fans\, artists and their crews\, so after conversations with her management\, we’ve made the decision to postpone Lucinda Williams’ upcoming show at The Michigan Theater until the Spring when COVID is hopefully more under control. We expect to announce a new date soon. We’ll open a window for refunds when we have the new date if you can’t make the show.  But we hope you’ll stick with us. It’s going to be a great night of music.  And remember\, all profits from this show go to feed the hungry in our community. \n  \n  \nPlease Note: The Michigan Theater and State Theatre require proof of full COVID-19 vaccination OR results of a negative COVID-19 test taken within 72 hours for all attendees over the age of 12. Temperatures will be taken for attendees under 12.\nMasks are required for all attendees. \nCLICK HERE to learn more about the Michigan Theater COVID Safety Plan \nLucinda Williams\, heralded by The New York Times as an “archetype in a lineage of rocking\, literary American songwriters\,” will headline a benefit concert at The Michigan Theater in Ann Arbor on Feb. 11\, 2022 to mark the 40th anniversary of The Breakfast at St. Andrew’s daily meal program. Tickets go on sale through Ticketmaster.com on November 20 at 12:01 a.m. EDT. \nThe performance by Lucinda Williams and Her Band will mark the 12th time Acoustic Routes and The Ark\, one of the nation’s most celebrated live music venues\, have raised money for the Breakfast Program. Founded during the summer of 1982 by parishioners of St. Andrew’s Episcopal Church\, the Ann Arbor-based non-profit has served a free meal to anyone without missing a single day\, even during the COVID-19 pandemic. \n“The Breakfast started as way to help people get through a deep recession 40 years ago\, but the need never went away\,” said Jim Cain\, founder of Acoustic Routes Concerts. “I can’t thank Lucinda Williams enough for sharing her talent and supporting the work of the Breakfast Program.” \nOver the course of fourteen remarkable albums\, three Grammy awards\, and countless accolades\, including Time’s Songwriter of the Year of 2001\, Williams is one of our most revered artists\, beloved for her singular vocals and extraordinary songs. \nHer latest release\, “Good Souls\, Better Angels\,” has electrified critics and fans. American Songwriter wrote\, “Take a deep breath\, strap in then push play on what is undoubtedly one of the most searing\, potent and passionate albums you’ll hear this year.”
URL:https://theark.qltddev.com/event/lucinda-williams-and-her-band-220211/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Cancelled
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ORGANIZER;CN="Acoustic Routes":MAILTO:acousticsaline@gmail.com
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DTSTART;TZID=America/New_York:20211108T200000
DTEND;TZID=America/New_York:20211108T200000
DTSTAMP:20260416T115559
CREATED:20211026T150113Z
LAST-MODIFIED:20211026T150113Z
UID:10000092-1636401600-1636401600@theark.qltddev.com
SUMMARY:Rhiannon Giddens with Francesco Turrisi
DESCRIPTION:Please Note: Proof of Vaccination or a negative COVID test taken within 72 hours is required for admission at the Michigan Theater. Masks are required of all attendees. By purchasing a ticket you agree that you and your guests will comply with all laws\, orders\, ordinances\, regulations and health and safety guidance adopted by the State of Michigan\, the County of Washtenaw and The Ark\, including any guidelines in place at the time of the show. Attendees who do not comply will be asked to leave. \nCOVID-19 FAQ \nRhiannon Giddens uses her art to excavate the past and reveal bold truths about our present. A MacArthur “Genius Grant” recipient\, Giddens co-founded the Grammy Award-winning Carolina Chocolate Drops\, and she has been nominated for six additional Grammys for her work as a soloist and collaborator. She was most recently nominated for her collaboration with multi-instrumentalist Francesco Turrisi\, there is no Other (2019). \nGiddens’s latest album\, They’re Calling Me Home\, is a twelve-track album\, recorded with Turrisi in Ireland during the recent lockdown; it speaks of the longing for the comfort of home as well as the metaphorical “call home” of death\, which has been a tragic reality for so many during the COVID-19 crisis.
URL:https://theark.qltddev.com/event/rhiannon-giddens-with-francesco-turrisi-21118/
LOCATION:Michigan Theater\, 603 East Liberty\, Ann Arbor\, MI\, 48104\, United States
CATEGORIES:Family Room Series
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