The Sweet Remains consist of three gifted and charismatic singer-songwriters, each of whom contribute to the writing and the three-part harmonies that define the band's sound.
Jack grew up in Huntington Woods and has lived in Ferndale for the last 24 years. Her work includes self-written songs in a style she broadly calls Americana, encompassing elements of folk, rock, country, pop and blues. She plays acoustic and electric guitar, and describes her stage presence as friendly, with a focus on storytelling and a dash of humor.
Presented by The Ark and Ford Motor Company Fund. Get ready to Find Your Folk! The 45th annual Ann Arbor Folk Festival returns to Hill Auditorium on Friday, January 28 and Saturday, January 29, live and in-person. The festival is the largest annual fundraiser for The Ark, Ann Arbor’s non-profit home for folk, roots, and ethnic music.
Presented by The Ark and Ford Motor Company Fund. Get ready to Find Your Folk! The 45th annual Ann Arbor Folk Festival returns to Hill Auditorium on Friday, January 28 and Saturday, January 29, live and in-person. The festival is the largest annual fundraiser for The Ark, Ann Arbor’s non-profit home for folk, roots, and ethnic music.
Opener: BettySoo
The Ark 316 S. Main, Ann Arbor, MI, United StatesIn James McMurtry’s new effort, The Horses and the Hounds, the acclaimed songwriter backs personal narratives with effortless elegance (“Canola Fields”) and endless energy (“If It Don’t Bleed”).
Ocie Elliott is musical duo Jon Middleton and Sierra Lundy from Victoria, B.C., Canada.
Whether you're looking for your big break, want to perfect your live performance skills, or just want to perform live for the sheer fun of it, Open Stage nights offer supportive audiences and a terrific space.
Update 1/24/22 - This event has been rescheduled for Friday, April 8, 2022. Lucinda Williams, heralded by The New York Times as an “archetype in a lineage of rocking, literary American songwriters,” will headline a benefit concert at The Michigan Theater in Ann Arbor on Feb. 11, 2022 to mark the 40th anniversary of The Breakfast at St. Andrew’s daily meal program.
Think of a carnival, or indeed a carny, and it’s very likely that images of bearded ladies, mustachioed strongmen, trapeze artists, wolf boys and the like will come flooding into your mind. Add a healthy dash of punk rock and old-timey music, and you have Ypsilanti, MI based Black Jake & the Carnies
Due to unforeseen circumstances, George Winston’s Feb 11 performance at The Ark will be rescheduled to a future date. You will be notified by email after this date is determined.
Please retain your tickets and they will be honored on the new date. Once the date is announced, patrons will have 30 days to request a refund if they are not able to attend the new date.
A native of Michigan, Rochelle Clark writes music that has been described as raw, honest, and beautifully vulnerable. She writes and sings about real life, joy, struggle and human tragedy – you can’t help but feel for the characters in her songs. Leaning heavily on personal experience, she connects on an intimate level that resonates with her audience. As one half of the acclaimed Americana duo The Potters Field, Rochelle has offered powerful vocals that have been captivating audiences in Michigan and throughout the Midwest for years. Drawing on her roots in folk, Americana, and country, Rochelle has found a sound that is uniquely her own. In January 2020 she released her first solo recording; an EP titled "In Time," and she’s continuing to explore her voice as a solo songwriter. Joining Rochelle will be a band of exceptional musicians (affectionately dubbed The Familiars) who include Jason Dennie, Keith Bilick, and John Sperendi.
George Crotty has forged his own exciting vocabulary on the cello, pushing the boundaries of the cello as a jazz instrument. Following his graduation from the Berklee College of Music, Crotty immersed himself in New York’s jazz and world music scenes, playing with several ensembles, such as the Brooklyn Raga Massive, and the Detroit-based National Arab Orchestra. The George Crotty Trio’s “Chronotope” (2022) showcases the Canadian cellist’s expressive fluidity and modal orientation. The group’s cross-cultural interplay draws on diverse influences within jazz and global music traditions including post-bop, modal jazz, Indian raga, and Arabic maqam.