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With four distinct voices clustered around a single microphone, Darlingside effortlessly draws audiences into their lush musical world. David Fricke of Rolling Stone describes them as "a quartet with a rich line in acoustic textures and chamber-rock dynamics." The band's sound, with classical strings, tight vocal arrangements, bluegrass and rock instrumentation, and smart lyricism, is the product of complete collaboration among the four close friends. The group has no frontman; instead, lead vocals are traded from moment to moment, and each song features a new combination of instruments and textures, pulling heavily from folk, retro-pop, barbershop, and chamber music. The music Darlingside plays is serious, cinematic, and deeply moving. Darlingside has been featured on NPR's World Cafe and in Paste magazine, and they come to Michigan with a new album, “Eliza I See.”

Ocie Elliott pen tunes that feel lived-in. Ocie Elliott is the musical duo of Jon Middleton and Sierra Lundy from Victoria, B.C., Canada. You can hear their memories, experiences, and emotions in the dusty acoustic guitars, the sparse production, and their graceful harmonies. The two have come a long way in a short time since a chance encounter in a café led to a spark, collaboration, and their ultimate partnership in music and beyond. Ocie Elliott’s debut album, “We Fall In” (Nettwerk Music Group), led to appearances with the likes of Mason Jennings, Sons of the East, Kim Churchill, Roo Panes, Current Swell and Joseph, tours of Canada, the U.S., and Europe, and having their song “Run To You” featured on an episode of Grey’s Anatomy. Ocie Elliott comes to Michigan with a new EP, “What Remains,” a batch of honest and heartfelt anthems of which Sierra says, “Since we’ve been through so much, all of these songs are so powerful to us. They’re simple, but they hold so much truth. I hope it translates to people.”

Dar Williams has always followed her muse. When she was up in Somerville, Massachusetts, in the early nineties, knowing that she wanted to pursue music or theater, she worked backstage at the Opera Company of Boston and wrote plays on the side. But she was in Boston, and the muse led her into the myriad open mics and tip jar gigs of booming folk revival. She opened a trunk of old songs and started writing new ones. Dar still loves every minute of her job and always advises folks to “follow their muse.” She still goes wherever the muse leads her, which, presently, is right back on her couch, coffee on the coffee table, guitar in hand, writing her next batch of songs. Come by and pick up a copy of Dar's latest album, “I’ll Meet You Here.”